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Dorothy Bohm at 100
A Life in Photography

To celebrate the centenary of Dorothy Bohm’s birth, we’re publishing a new book that takes a fresh look at the work of one of the most prolific and admired female photographers of the second half of the 20th Century.

The launch of the book will coincide with the upcoming exhibition of her work at the Photographers Gallery, London in Spring/Summer 2024.

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>> See below for for information about the book.

 

The Book

 

Artist’s impression of the special edition of the book with slipcase

 
 
 

The book will feature an introduction by Martin Barnes, Senior Curator of Photographs, Victoria & Albert Museum, a biographical essay by art historian Monica Bohm-Duchen and short texts by a wide range of notable contributors, each focussing on a single photograph.


Book Specifications:

Hardcover • w 246 × h 300 mm • 200 Pages (estimated) • Section Sewn Binding • Includes over 160 images • Speciality papers throughout • The special edition of the book includes a cloth-bound slipcase


The book includes contributions from:

Maria Balshaw
Katy Barron
Colin Ford
Anna Fox
Lydia Goldblatt
Mark Haworth-Booth
Amanda Hopkinson

Ian Jeffrey
Esther Leslie
Marketa Luskacova
Don McCullin
Pelumi Odubanjo
Martin Parr
Nissan Perez

Marissa Roth
Paul Smith
George Szirtes
Marina Warner
Val Williams

 
 

Artist’s Biography

Portrait by Lydia Goldblatt – June 3, 2022

 

Dorothy Bohm (née Dorothea Israelit) was born on 22 June 1924 in Königsberg, Germany (now Kaliningrad, Russia). In 1932 the family settled in Memel (now Klaipeda, Lithuania) to escape the rising threat of Nazism. In June 1939, her parents sent her to the safety of England, which would remain her home thereafter.

In 1940, Dorothy enrolled on a vocational photography course at Manchester College of Technology, and between 1942 and 1945 worked as an assistant at a leading portrait studio in that city. Following her marriage to fellow refugee Louis Bohm in late 1945, she established her own portrait studio – Studio Alexander – in central Manchester. In 1947 a visit to Ascona in the Ticino region of Switzerland prompted her to work outside the studio for the first time, and from then on she would travel extensively.

In 1954, the couple relocated to Paris for a year, and in 1956 paid an extended visit to the USA. On their return to England, they settled in Hampstead in northwest London. Two years later Bohm decided to sell her Manchester studio in order to concentrate exclusively on her deeply humanist and empathetic street photography.

Bohm’s first solo exhibition took place at the Institute of Contemporary Arts, London in 1969. In 1971 she was closely involved with the founding in Covent Garden of the pioneering Photographers’ Gallery and served as its Associate Director for the next fifteen years.

She started working in colour in the early 1980s (although this was preceded in the mid-1950s by a small number of colour images taken in the USA and Mexico) and in the mid-1980s abandoned black and white photography completely.

Bohm’s work has been exhibited widely and is held in a number of public collections in the UK, including Tate, the Victoria & Albert Museum, the Museum of London and the National Portrait Gallery. A major retrospective was held at Manchester Art Gallery in 2010, and further exhibitions and publications have followed, consolidating her reputation as one of the doyennes of British photography. She was elected an Honorary Fellow of the Royal Photographic Society in 2009.

Dorothy died on 15 March 2023, aged ninety-eight, closely engaged with her photography to the end.